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Monarch Reverb, Recent
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Monarch Reverb, Recent

Monarch Reverb, Recent

From Benson:

"ā€œThe Monarch was my first design, and largely what my other amps are based on. Ā When I worked at Verellen Amps in the late 2000s, several amps would come in Ā for repair every week….high powered vintage monsters all the way to low powered newer boutique amps. Ā Here’s an annoying thing I did….instead of working hard like I should have, I took them apart and studied their circuit designs. Ā If I liked a particular aspect of an amp I would try to figure out what it was. Ā This eventually grew into an understanding of how harmonics are built up, how a circuit is filtered and gain staged, what components sound like, what engineers were trying to achieve, and how they succeeded and failed. Ā It was also an education in what fails on the road and how to make something that is easily repairable. Ā 

I had a donor metal chassis sitting under my bench at the time….an old Bogen PA head….that I would incrementally build snippets of circuits I was particularly interested in…it probably went through hundreds of permutations. Ā Often I would tack solder circuits together, often while it was powered up, (Which I don’t recommend). Ā One day all the pieces fell into place, and I got a euphonic clean tone that transitioned into an aggressive harmonic distortion and I about fell over. Ā I showed it to my bandmate and we freaked out.. Ā That design became the Monarchā€ -Chris"

  • 2 x JJ 6V6 power tubes, 2 x JJ 12AX7 preamp tubes, 12DW7 reverb driver, 5AR4 rectifier

  • Speaker outputs: 1 x 8 ohm

  • Foot switchable reverb

  • Point to point construction on terminal strips - no circuit, eyelet or turret board

  • Custom Soursound transfomers

  • Mallory 150M capacitors

  • Dovetailed pine cabinet

Very Good condition, no accessories.

$962.50

Original: $2,750.00

-65%
Monarch Reverb, Recent—

$2,750.00

$962.50

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Monarch Reverb, Recent - Image 2

Monarch Reverb, Recent

From Benson:

"ā€œThe Monarch was my first design, and largely what my other amps are based on. Ā When I worked at Verellen Amps in the late 2000s, several amps would come in Ā for repair every week….high powered vintage monsters all the way to low powered newer boutique amps. Ā Here’s an annoying thing I did….instead of working hard like I should have, I took them apart and studied their circuit designs. Ā If I liked a particular aspect of an amp I would try to figure out what it was. Ā This eventually grew into an understanding of how harmonics are built up, how a circuit is filtered and gain staged, what components sound like, what engineers were trying to achieve, and how they succeeded and failed. Ā It was also an education in what fails on the road and how to make something that is easily repairable. Ā 

I had a donor metal chassis sitting under my bench at the time….an old Bogen PA head….that I would incrementally build snippets of circuits I was particularly interested in…it probably went through hundreds of permutations. Ā Often I would tack solder circuits together, often while it was powered up, (Which I don’t recommend). Ā One day all the pieces fell into place, and I got a euphonic clean tone that transitioned into an aggressive harmonic distortion and I about fell over. Ā I showed it to my bandmate and we freaked out.. Ā That design became the Monarchā€ -Chris"

  • 2 x JJ 6V6 power tubes, 2 x JJ 12AX7 preamp tubes, 12DW7 reverb driver, 5AR4 rectifier

  • Speaker outputs: 1 x 8 ohm

  • Foot switchable reverb

  • Point to point construction on terminal strips - no circuit, eyelet or turret board

  • Custom Soursound transfomers

  • Mallory 150M capacitors

  • Dovetailed pine cabinet

Very Good condition, no accessories.

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From Benson:

"ā€œThe Monarch was my first design, and largely what my other amps are based on. Ā When I worked at Verellen Amps in the late 2000s, several amps would come in Ā for repair every week….high powered vintage monsters all the way to low powered newer boutique amps. Ā Here’s an annoying thing I did….instead of working hard like I should have, I took them apart and studied their circuit designs. Ā If I liked a particular aspect of an amp I would try to figure out what it was. Ā This eventually grew into an understanding of how harmonics are built up, how a circuit is filtered and gain staged, what components sound like, what engineers were trying to achieve, and how they succeeded and failed. Ā It was also an education in what fails on the road and how to make something that is easily repairable. Ā 

I had a donor metal chassis sitting under my bench at the time….an old Bogen PA head….that I would incrementally build snippets of circuits I was particularly interested in…it probably went through hundreds of permutations. Ā Often I would tack solder circuits together, often while it was powered up, (Which I don’t recommend). Ā One day all the pieces fell into place, and I got a euphonic clean tone that transitioned into an aggressive harmonic distortion and I about fell over. Ā I showed it to my bandmate and we freaked out.. Ā That design became the Monarchā€ -Chris"

  • 2 x JJ 6V6 power tubes, 2 x JJ 12AX7 preamp tubes, 12DW7 reverb driver, 5AR4 rectifier

  • Speaker outputs: 1 x 8 ohm

  • Foot switchable reverb

  • Point to point construction on terminal strips - no circuit, eyelet or turret board

  • Custom Soursound transfomers

  • Mallory 150M capacitors

  • Dovetailed pine cabinet

Very Good condition, no accessories.