
Monarch Reverb, Recent
From Benson:
"āThe Monarch was my first design, and largely what my other amps are based on. Ā When I worked at Verellen Amps in the late 2000s, several amps would come in Ā for repair every weekā¦.high powered vintage monsters all the way to low powered newer boutique amps. Ā Hereās an annoying thing I didā¦.instead of working hard like I should have, I took them apart and studied their circuit designs. Ā If I liked a particular aspect of an amp I would try to figure out what it was. Ā This eventually grew into an understanding of how harmonics are built up, how a circuit is filtered and gain staged, what components sound like, what engineers were trying to achieve, and how they succeeded and failed. Ā It was also an education in what fails on the road and how to make something that is easily repairable. Ā
I had a donor metal chassis sitting under my bench at the timeā¦.an old Bogen PA headā¦.that I would incrementally build snippets of circuits I was particularly interested inā¦it probably went through hundreds of permutations. Ā Often I would tack solder circuits together, often while it was powered up, (Which I donāt recommend). Ā One day all the pieces fell into place, and I got a euphonic clean tone that transitioned into an aggressive harmonic distortion and I about fell over. Ā I showed it to my bandmate and we freaked out.. Ā That design became the Monarchā -Chris"
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2 x JJ 6V6 power tubes, 2 x JJ 12AX7 preamp tubes, 12DW7 reverb driver, 5AR4 rectifier
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Speaker outputs: 1 x 8 ohm
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Foot switchable reverb
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Point to point construction on terminal strips - no circuit, eyelet or turret board
-
Custom Soursound transfomers
-
Mallory 150M capacitors
-
Dovetailed pine cabinet
Very Good condition, no accessories.
Original: $2,750.00
-65%$2,750.00
$962.50More Images

Monarch Reverb, Recent
From Benson:
"āThe Monarch was my first design, and largely what my other amps are based on. Ā When I worked at Verellen Amps in the late 2000s, several amps would come in Ā for repair every weekā¦.high powered vintage monsters all the way to low powered newer boutique amps. Ā Hereās an annoying thing I didā¦.instead of working hard like I should have, I took them apart and studied their circuit designs. Ā If I liked a particular aspect of an amp I would try to figure out what it was. Ā This eventually grew into an understanding of how harmonics are built up, how a circuit is filtered and gain staged, what components sound like, what engineers were trying to achieve, and how they succeeded and failed. Ā It was also an education in what fails on the road and how to make something that is easily repairable. Ā
I had a donor metal chassis sitting under my bench at the timeā¦.an old Bogen PA headā¦.that I would incrementally build snippets of circuits I was particularly interested inā¦it probably went through hundreds of permutations. Ā Often I would tack solder circuits together, often while it was powered up, (Which I donāt recommend). Ā One day all the pieces fell into place, and I got a euphonic clean tone that transitioned into an aggressive harmonic distortion and I about fell over. Ā I showed it to my bandmate and we freaked out.. Ā That design became the Monarchā -Chris"
-
2 x JJ 6V6 power tubes, 2 x JJ 12AX7 preamp tubes, 12DW7 reverb driver, 5AR4 rectifier
-
Speaker outputs: 1 x 8 ohm
-
Foot switchable reverb
-
Point to point construction on terminal strips - no circuit, eyelet or turret board
-
Custom Soursound transfomers
-
Mallory 150M capacitors
-
Dovetailed pine cabinet
Very Good condition, no accessories.
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Description
From Benson:
"āThe Monarch was my first design, and largely what my other amps are based on. Ā When I worked at Verellen Amps in the late 2000s, several amps would come in Ā for repair every weekā¦.high powered vintage monsters all the way to low powered newer boutique amps. Ā Hereās an annoying thing I didā¦.instead of working hard like I should have, I took them apart and studied their circuit designs. Ā If I liked a particular aspect of an amp I would try to figure out what it was. Ā This eventually grew into an understanding of how harmonics are built up, how a circuit is filtered and gain staged, what components sound like, what engineers were trying to achieve, and how they succeeded and failed. Ā It was also an education in what fails on the road and how to make something that is easily repairable. Ā
I had a donor metal chassis sitting under my bench at the timeā¦.an old Bogen PA headā¦.that I would incrementally build snippets of circuits I was particularly interested inā¦it probably went through hundreds of permutations. Ā Often I would tack solder circuits together, often while it was powered up, (Which I donāt recommend). Ā One day all the pieces fell into place, and I got a euphonic clean tone that transitioned into an aggressive harmonic distortion and I about fell over. Ā I showed it to my bandmate and we freaked out.. Ā That design became the Monarchā -Chris"
-
2 x JJ 6V6 power tubes, 2 x JJ 12AX7 preamp tubes, 12DW7 reverb driver, 5AR4 rectifier
-
Speaker outputs: 1 x 8 ohm
-
Foot switchable reverb
-
Point to point construction on terminal strips - no circuit, eyelet or turret board
-
Custom Soursound transfomers
-
Mallory 150M capacitors
-
Dovetailed pine cabinet
Very Good condition, no accessories.























